It is, in itself, an origin story, but not one of the passage between being a nobody and a superhero. We do not see the origin of him or warm moments with Alfred as we did see between Bale and Caine. His vengeful and rude character does not facilitate empathy with the character, but it could not be otherwise. Who has not yet toughened up enough to become the antihero that he will end up being. Unlike the profiles of Keaton, Bale or Affleck, we are dealing with a younger and inexperienced Batman. The Lighthouse, Tenet, Good Time, The Devil All The Time Pattinson's trajectory is ascending, and in The Batman he confirms it again. His role in Twilight has brought him criticism for ten years, but anyone with a modicum of film culture knew that his Batman was going to be brutal. I say understand instead of know because we all know it, but none of us understand it. Robert Pattinson is one of those actors who still has a certain hate and nobody understands why. If we have already dealt with the role of Reeves, the genius behind the world of The Batman, it is time to talk about his protagonist. It evokes the Deakins-Jóhannsson binomial that he hypnotized in Sicario, another film that turns the place into a key piece of the narrative. The photography by Greig Fraser (Oscar nominated for Dune) and the soundtrack by Michael Giacchino are simply spectacular. To do this, Reeves has surrounded himself with a top-level team that creates an atmosphere in keeping with this ambitious idea. And in The Batman we really see the city out of the comics. In The Dark Knight we saw something more like New York than Gotham. It's a Gotham unlike anything we've seen before. The palpable decadence in all its corners. The Fincherian aesthetic of its streets, the oppressive night that floods the streets with insecurity. The city of chaos and darkness that Reeves recreates in his work is the great success of the film. This divergence between both works is patented in a key element: Gotham. On the other hand, it also stands out from the Nolan trilogy, since it does not become hyper-realistic.
The realistic and raw tone of The Batman is a great success. In this way we are facing a classic film of policemen, detectives, gangsters and corrupt, but with a protagonist with a mask and cape. Nolan sought to emphasize the vigilante soul in his unbeatable trilogy, while Reeves has decided to explore the more detective side of the character. The Batman Bruce Wayne is many things: philanthropist, billionaire, orphan, masked vigilante, detective, antihero. However, Reeves manages to approach the figure of the dark knight from a different perspective.
Since we are facing a story told a thousand times. In this case, it is difficult to emulate the phenomenon that originated the first film starring the mythical archenemy of Batman. The Batman looks to follow in the footsteps of Todd Phillips and Joaquin Phoenix's Joker. The Batman after a tumultuous pre-production marked by the departure of Ben Affleck from the project and the signings of Matt Reeves and Robert Pattinson. It is, in turn, a great film and an incomprehensible product, but we are here to analyze the film, not the product, so our gaze will be directed in that direction. It is inevitable to ask the following question: is its existence justified? Well yes and no.
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